# Cecilia Avorkliyah > Film & Television Lecturer ## Posts - [Hello world!](https://ceciliaavorkliyah.com/hello-world/): Welcome to WordPress. This is your first post. Edit or delete it, then start writing! - [The Director’s Chair Was Never Empty](https://ceciliaavorkliyah.com/the-directors-chair-was-never-empty/): Three recent features share one habit: they let a woman’s point of view run the whole film, not a single scene. - [Teaching the Close-Up](https://ceciliaavorkliyah.com/teaching-the-close-up/): What happens when first-year students are asked to watch a single shot for ten minutes. - [Queens of the Small Screen](https://ceciliaavorkliyah.com/queens-of-the-small-screen/): A limited series that treats power as routine work, and finds its drama there. - [Notes from a Festival Week](https://ceciliaavorkliyah.com/notes-from-a-festival-week/): Seven days, twenty-three films, and three conversations I am still thinking about. - [Prestige Television and the Matriarch Figure](https://ceciliaavorkliyah.com/prestige-television-and-the-matriarch-figure/): How the long-form drama gave older women the lead, and what it asked of them in return. - [Reframing the Gaze, Twenty Years On](https://ceciliaavorkliyah.com/reframing-the-gaze-twenty-years-on/): A collected volume revisits feminist film theory and asks what survived the streaming era. - [Why I Still Write Reviews](https://ceciliaavorkliyah.com/why-i-still-write-reviews/): On the quiet usefulness of criticism in a world of instant ratings. - [Rewatching the Heroine’s Journey](https://ceciliaavorkliyah.com/rewatching-the-heroines-journey/): A classic returns to cinemas. It holds up better than its reputation, and worse than its fans say. - [Television and the Domestic Sphere](https://ceciliaavorkliyah.com/television-and-the-domestic-sphere/): A well-argued history of the living room as a place of power, with a thin final chapter. - [A Cinema of Her Own](https://ceciliaavorkliyah.com/a-cinema-of-her-own/): A reader on women’s filmmaking, useful in a seminar and generous with its sources. - [Authorship Without Permission: Women Directors in Emerging Industries](https://ceciliaavorkliyah.com/authorship-without-permission-women-directors-in-emerging-industries/): Chapter in an edited volume on global cinema. - [The Close-Up as Argument](https://ceciliaavorkliyah.com/the-close-up-as-argument/): Presented at the annual conference on film and media. ## Pages - [About](https://ceciliaavorkliyah.com/about/) [comment]: # (Generated by Hostinger Tools Plugin)